The Stainless video project is located on the borderline of still photography and motion picture.
An endless row of living sculptures brought together by the same subway line, the same direction, the same intention of taking the train to get caught and carried away by the urban flow. All their motions slowed down, they are graceful and stainless holding their breath waiting for their train to pull into the station.
4 hearts
They started by taking a flight at noon, once landed the search begun, a long trip by car, following the coast but nothing was found. The scientists tried to explore the deep forest even if the mathematical symbols indicated a submerged island in the ocean. The visibility was empathic, the surface made no sense.
Evaporated by the heat of incredulous eyes a new animal species defended their holy land.
Photographer William James Broadhurst
6 heartsIndex and credits:
1. A man walks amidst tents set up on the floor of a gymnasium for parents of freshmen students at Tianjin University. (Stringer / Reuters)
2. An injured man looks on as he waits to be treated at a makeshift hospital in the besieged rebel bastion of Douma, northeast of the Syrian capital Damascus. (Abd Doumany / Getty Images)
3. Genetically-engineered fish (Amatitlania nigrofasciatus var.) glow in a tank during the 2014 Taiwan Aquarium Expo.
4. A reveller takes part in the 2nd LGBT Pride Parade at Alemao favela in Rio de Janeiro. (Yasuyoshi ChibayaAFP/Getty Images)
5. A Kyrgyz stuntman performing during the first World Nomad Games in the Kyrchin (Semenovskoe) gorge. (Vyacheslav Oseledkov/AFP/Getty Images)
6. A Palestinian man looks out of his heavily damaged house at neighboring houses which witnesses said were destroyed during the Israeli offensive. (Suhaib Salem/Reuters)
Jörg Marx is a German freelance photographer, based in Bavaria, mainly working on landscape and nature photography.
For me photography is a way of coping with the world. While an image leaves a gap, a text always want to close it. In my photos I try to leave space for the Vanished, Lost & Hidden. I’m interested in memory and its localization in the landscape. I ask myself what the trees could bear witness to what we have long forgotten. And I wonder if a place is still the same place after one has made war or other terrible things there. All landscapes are contaminated with forgotten historical events.
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