An undeniable trend in gaming graphics during the early 90s was the usage of digitized graphics, made possible thanks to various advancements in hardware and software. Although a lot of game developers used it for bits and pieces like title screens, Williams and Atari Games in particular embraced this new tech early on. Resulting in hits like T2, Mortal Kombat, Pit Fighter and Primal Rage.
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Carl Jung warns us against the dangers of the shadow (the unknown dark side of our personality). We must acknowledge our shadow and enter into long and difficult negotiations with it through shadow work. Only then can we become conscious of the collective shadow (the unknown dark side of mankind) and not fall prey to it.
Exploring our shadow allows us to rescue the good qualities that lie dormant within us, which improves our lives and the lives of those around us. We can then face the collective shadow and take responsibility to address the denial of important issues and a lack of individual and collective initiative.
Telling the truth is the most desirable way to deal with a difficult past, rather than dismissing the atrocities and having the shadow grow blacker until it can no grow no more, and thus history repeats itself.
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Antidawn reduces Burial’s music to just the vapours.
The record explores an interzone between dislocated, patchwork songwriting and eerie, open-world, game space ambience.
In the resulting no man’s land, lyrics take precedence over song, lonely phrases colour the haze, a stark and fragmented structure makes time slow down.
Antidawn seems to tell a story of a wintertime city, and something beckoning you to follow it into the night. The result is both comforting and disturbing, producing a quiet and uncanny glow against the cold. Sometimes, as it enters ‘a bad place’, it takes your breath away. And time just stops.
Released January 6, 2022.3 hearts
Sub Pop + Julie Byrne + Scott Orr + Strangers Candy.
Wisdom fears no thing, but still bows humbly to its own source, with its deeper understanding, loves all things, for it has seen the beauty, the tenderness, and the sweetness which underlie Life’s mystery.
John Wildgoose, London, United Kingdom.
The trouble with Eichmann was precisely that so many were like him, and that the many were neither perverted nor sadistic, that they were, and still are, terribly and terrifyingly normal. From the viewpoint of our legal institutions and of our moral standards of judgment, this normality was much more terrifying than all the atrocities put together.
Russian novelist Fyodor Dostoevsky wrote Notes from Underground in 1864 which is considered to be one of the first existentialist works, emphasising the importance of freedom, responsibility and individuality. It is an extraordinary piece of literature, social critique and satire of the Russian nihilist movement as well as a novel with deep psychological insights on the nature of man.
Dostoevsky’s most sustained and spirited attack on the Russian nihilist movement is voiced by one of the darkest, least sympathetic of all his characters – the nameless narrator and protagonist known as the Underground Man, revealing the hopeless dilemmas in which he lands as a result.
Notes from Underground attempts to warn people of several ideas that were gaining ground in the 1860s including: moral and political nihilism, rational egoism, determinism, utilitarianism, utopianism, atheism and what would become communism.
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