0:00 Introduction (Ashes and Snow, A Time to Live A Time to Die, Strangers In Good Company, Borom Sarat, Dead Man’s Letter’s, Killer of Sheep, Napoleon, Still Life)
1:50 The Fifth Seal – Az ötödik pecsét (Dir: Zoltán Fábri)
7:29 The House Is Black – خانه سیاه است (Dir: Forough Farrokhzad)
9:57 Tie Xi Qu: West of The Tracks – 铁西区 (Dir: Wang Bing)
14:12 As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Dir: Jonas Mekas)
18:37 The Enclosed Valley – La vallée close (Dir: Jean-Claude Rousseau)
19:37 Pastoral: To Die in the Country – 田園に死す (Dir: Shūji Terayama)
23:44 Punishment Park (Dir: Peter Watkins)
28:03 The Cremator – Spalovač mrtvol (Dir: Juraj Herz)
30:28 O Pagador de Promessas (Dir: Anselmo Duarte)
31:39 Conclusion (Lucifer Rising, An Elephant Sitting Still, Marketa Lazarova, White Noise, Platform, The Burmese Harp)
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Fu-Schnickens + YZ + BIG feat. Wutang Clan + EPMD.
The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.
Bon Iver + MF Doom + Sloati + SURE.
Nothing in the world is more common than unsuccessful people with talent, leave the house before you find something worth staying in for.
I’m not an academic; I’m not an archaeologist. I’m a writer, communicating ideas to the public. There is a model of how the past is, and a lot of academic archaeology is about refining the model.
It’s not about changing the model radically. I’m not aware of any current which is about radically changing the model. It’s just me, really.
Whether Earth was deliberately terraformed, in other words, or whether it was seeded with the spores of life from crashed comets or whether, indeed, life arose here spontaneously and accidentally, it is reasonable to hope that we might find traces of the same kind of process on Mars.
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