Directed by Onohana

animation : Onohana
music : Tatsuki TSUSHIMA
sound design : Sachi TAKAHASHI

Datassette + WARD-IZ + DEADLIFE + Still Corners.

Today it is not the classroom nor the classics which are the repositories of models of eloquence, but the ad agencies.

M.M.

Bart Ulens, Brussels, Belgium.

You must live life in its very elementary forms. The Mexicans have a very nice word for it: pura vida. It doesn’t mean just purity of life, but the raw, stark-naked quality of life. And that’s what makes young people more into a filmmaker than academia.

W.H.

Sidewalks and Skeletons + Glacci + Sgrow + Alek Fin.

In the end, oh I know,
never, in my haggard passion,
have I ever been such a cadaver as now
as I take again in hand my tables of the present—
if reality’s real, but after it’s been
destroyed in the eternal and the moment by
the obsessive idea of a shining nothingness.

P.P.P.

Growing up my Dad had a love for machines, cars and planes especially. When he was 10 years old he spotted an Austin Healey 100S racing up the street of Willunga, South Australia. He says it was like nothing he had ever seen or heard before and for many years he dreamt of one day owning the car. 43 years later he purchased the exact same car that he had seen as a young boy. He still has the car today.

Dad has his own website on the history of the car here: austinhealey100s.com.au

Lars Stieger, Hamburg, Germany.

I don’t believe we shall ever again have any form of society in which men will be free. One should not hope for it. One should not hope for anything. Hope is invented by politicians to keep the electorate happy.

P.P.P.