Journalistic photographer Amy Shore.

Despite my surname, I live smack bang in the middle of England in Leicester. This has actually turned out to be pretty handy as it means I can travel to most of the places on this island in a few short hours.

If you’ve already had a nosey at my work, you’ll have realised that I don’t really do ‘formal’ – I like to make sure that I capture the true atmosphere of the moment, not the camera-posed one, so don’t expect me to show up with mountains of gear and flash guns that could burn your retinas.

Today selection of recent tunes to arise in summer 2015.

Sun Glitters + Sinoia Caves + Mano Le Tough + Henry Green and a craking video directed by Panos Cosmatos for Sinoia Caves.

joonghyun cho from Seoul.

A well-designed comma carries the essence of the typeface down to its delicious details.
Helvetica’s comma is a chunky square mounted to a jaunty curve, while Bodoni’s is a voluptuous, thin-stemmed orb. Designers and editors need to learn various typographic conventions in addition to mastering the grammatical rules of punctuation.

Double and single quotation marks are represented with four distinct characters, each accessed with a different keystroke combination. Know thy keystrokes! It usually falls to the designer to purge the client’s manuscript of spurious punctuation.

E.L.

Where am I, short film directed by David Dang.

Voiceover text //// William Dresden
Actress //// Cécile Jeanneret-Amour
Original Music //// Cyrus Reynolds & Steve Gibbs

Shot in Ireland

Freschezza Typeface by Marco Oggian.
The character set is without doubt limited (not even lower case letters), the numbers are pretty bad and the styles fancy.
The upper case letters on the other hand are nicely proportioned and remember we are talking about a free font.

Damon Hunter is a fine art photographer based in Melbourne, Australia. A perfectionist, Hunter has a need for every element within an image to be precise, to find order in chaos.

However, Damon is always the passive observer; never will he add or move anything within the frame, or ask anyone to pose. In his words, “If it’s not real, I don’t shoot it.”