The knights disemboweled the wounded horses inside the Sanctuary, held an orgy with the prostitutes of the camp and then proclaimed on the Patriarch’s throne a lascivious woman who sang lewd songs.

Fontän – Early Morning (Version by Studio) – 2009
Cass McCombs – Opposite House – 2016
Poliça – Lately – 2016
Mop Mop – Adhara – 2016
Rostam – Gravity Don’t Pull Me – 2016
Felt – Evergreen Dazed – 2009
Vacationer – Gone – 2011
Apparat – Ash/Black Veil (Mokhov Remix) – 2013
Ed Harcourt – The World Is On Fire – 2016
Ratatat – Supreme – 2015
Cloud Boat – Lions on the Beach – 2011
Holly Miranda feat. Kyp Malone – Slow Burn Treason – 2010
The Flaming Lips feat. Tame Impala – Children of the Moon – 2013
Slime – My Company – 2015
Keaton Henson – Earnestly Yours (feat. Ren Ford) – 2014

David Drake, Norwich, United Kingdom.

For a century, the Zionist colonization of Palestine has proceeded primarily on the pragmatic principle of the quiet establishment of facts on the ground, which the world was to ultimately come to accept.
It has been a highly successful policy.

There is every reason to expect it to persist as long as the United States provides the necessary military, economic, diplomatic and ideological support.

N.C.

STILL TIPPIN’

by MIKE JONES, DJ CAVIAR REMIX (AKA Dank, Sedge Warbler)
video by about:blank

Moby + YAKONA + Dntel + Fatima Al Qadiri.

Then Bahram replied, “Speak; thou art in the sky, and I am on the ground.”

F.

Wete one, Barcelona, Spain.

The impact of professionalization is also clear. The “free-floating intellectual” may occupy himself with problems because of their inherent interest and importance, perhaps to little effect.

The professional, however, tends to define his problems according to the technique that he has mastered, and has a natural desire to apply his skills.

N.C.

Philipp Aldrup, German photographer based in South-East Asia for over 10 years.

Mesmerised and troubled by the inexplicability of mankind’s brief existence in the dizzying vastness of time and space, I seek spaces of unsettling beauty in scenes that contain fragments of multiple temporalities.

My visuals seek to be disquieting and contemplative – meditations and a poetic rebellion against the imperatives of bleak functionality and mind-numbing economization.