This is Christian Stangls new intro. As motion-designer & photographer he wanted to try something new. So he took his old Leitz-microscope in combination with the canon 5d markII and brought his logo to life.1 heart
Federico Infante, born in Santiago, Chile in 1982. Federico Infante works predominantly in the medium of painting, he received his BFA from Finis Terrae University (Santiago, Chile) in 2002 and graduated in Spring 2013 with his MFA in Illustration from the School of Visual Arts in New York. He is currently living and working in New York.
He was the recipient of the Uanlane Foundation Scholarship (2012), the Conicyt Scholarship (2009), and the Juan Downey Grant (2004). He has had several successful solo and group exhibitions in Chile and New York. His work has been adopted into private collections across the US and internationally, including France, Belgium, Germany and Singapore.3 hearts
Of air-born honey, gift of heaven, I now
Take up the tale. Upon this theme no less
Look thou, Maecenas, with indulgent eye.
A marvellous display of puny powers,
High-hearted chiefs, a nation’s history,
Its traits, its bent, its battles and its clans,
All, each, shall pass before you, while I sing.
Playlist n. IX, a marvellous display of puny powers:
Pan Pot, Abby, Martin Eyerer – Muddy Walls (Jonas Woehl Remix) – 2015
Dusty Brown – Hides No Signs – 2015
Windsor – I Am Fascinated – 2015
Sun Glitters – Galaxy feat. Sarah P. (Alphaat Remix) – 2015
Trashlagoon – Marouki Knows (Parra for Cuva remix) – 2015
Jon Hopkins ft Lulu James – We Disappear (Still Dreaming Mix) – 2015
Amen Dunes – Song to the Siren – 2015
dǝǝls – mechta – 2015
Burial – Lambeth – 2014
ANDRU – Ecco – 2015
A Forest – Flagboy (Oracles & Narrators Remix) – 2014
800beloved – Nicole Dreams of Ponies – 2014
AVDIO – 3:49 am – 2015
Apidae – Turning Tides – 2015
Superpoze – Unlive – 2015
Ollie Macfarlane – Alley VIP – 2015
Benoît Pioulard – Shut-Ins On Sunday See – 2015
Leslie Ann O’Dell, Boise, ID, USA.
There is a standard device to whip the domestic population of any country into line in support of policies that they oppose: induce fear of some terrifying enemy, poised to destroy them.
“The evil scourge of terrorism” was a natural choice for this role in the early 1980s, as the United States sought to concoct an enemy weak enough to be attacked with impunity but sufficiently threatening to mobilize the general population in support of the Reaganite expansion of state power at home and violence abroad.
The threat waned when it became necessary to face the costs of these policies a few years later. The media rallied enthusiastically to the enterprise.
Audiovisual piece – 15 minutes
by Joanie Lemercier and James Ginzburg
Soundtrack out now on Subtext recordings
Touring in Dome and theater formats in 2015
Software development: Nikolay Matveiev
Laser scan of a forest by Ecosynth project
Contrabass – Yair Glotman
Percussion – Brandon Rosenbluth
Location Recording Engineer – Kai Schoormann
Special thanks to Laurens Von Oswald & Kraftwerk Berlin
Artist production – Juliette Bibasse
coproduced with SAT Montreal.
Photos at Satosphere by Sebastien Roy.
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