Antenna Serif (2015) is Cyrus Highsmith’s counterpart to Antenna, adding clear-cut slabs to squared-off curves. The typeface’s athletic build has already played a role in Sports Illustrated’s print and digital formats.

Developed with David Jonathan Ross, Antenna Serif weighs in at 56 styles — seven weights in four widths, each with italics — making it a versatile performer for both strong heads and vigorous bodies.

These ceremonies are physical exhalations of grief at the loss of his mother months before the recording – by turns contemplative, ecstatic, restrained, and unbridled. They reveal Neuringer’s prodigious technical vocabulary and physical stamina, as well as his idiosyncratic compositional influences and sensibilities. Central to all of it is the uncompromising urgency that is a key facet of Neuringer’s creative work.

Color in Motion project by Sharon Avraham: exploring body and movement trough photography and body art.

I few months ago I posted Wauwatosa’s “I Follow” track and now their first EP Luftbrücke is out.

Gentle profound words carved in electro beats, downtempo slow motion stars talking to anciest jazz artists. “Let us hang together tonight, we need to stay human for another day”.

Hermits of The Third Millennium by Carlo Bevilacqua.

Perry Frank started to record Soundscape Box in May 2013, when he began to work on his project Ruins and Regrets. The project is closely linked to the “video-documentary-clip” called Ruins + Regrets that is a collection of all the abandoned villages of the mining past around the town of
Iglesias in Sardinia.

There are many stories about all these abandoned villages, stories about the ghosts that haunt the ruins of the old houses and in some cases Perry had a strange feeling while filming inside those houses. All the scenes are filmed without motion, while other particulars of the landscape such as trees and clouds are moved, shaken or pushed by the Mistral wind to symbolize that the passing of time can do nothing when a regret is living inside our minds. All the ruins stand for the regrets of what has been and what will never be because of human fragility.